The Green Demon - Texturing and Rendering

 After completing retopology and cutting the UV pieces, I reimported the model back inside ZBrush to generate the higher resolution bake for the model and then I started baking and texturing inside Substance Painter. I already had the mesh separated so it was easier to texture as I had each element as a separate shader. I had the body, the tubes, the eyes and the teeth in 4 separate shaders. Teeth and tubes having no secondary colors or variations, I could instantly fill them with their respective colors from the concept art.


Then I started doing the eyes which had outer base color and some patterns and color variations for the iris. I used circular paint brushes and with a few patterns and subtle strokes, I was quickly able to block out the iris shape with different stacking paint layers.

Then I did the body part. After filling the base color, I used stacking layers and a circle brush for the round spots on the outside of the body, then I painted the inside of the mouth as illustrated in the concept art. Then I brought back the textures into Maya and started setting up turn table a scene with Arnold for rendering. This is the front view of a sample render using Arnold inside Maya.

The color and aesthetic do look a bit different than the concept, but that is due to the lack of the fog and environment setup in the concept are. Also, this is the raw version of the render. I believe after adding the fog and doing some post process color correction, it will look just like the concept art that I started with. It was a bit challenging process but I enjoyed making something different in a shorter window. This project has helped me a lot to improve my problem solving skillsand it has also helped me to broaden my boundaries of imagination when it comes to planning a solution for a particular problem.





Comments

Post a Comment

Popular posts from this blog

The Sword - Texturing and Rendering

Image
 Before starting the texturing process, I noticed that the UV of the parts were very simple, so I decided to merge the UV's together inside Maya by grouping them and aligning them into a single UV tile. Then I exported the UV and started the texturing inside substance painter. As expected, the texturing required me to work on different parts of the sword with multiple paint layers and sub-layers as everything was combined into one shader this time. Although the effect of the blade was a bit challenging as I had to use multiple hard and soft brushes, the other parts of the sword were fairly simple to texture. Most of the texturing was done using soft brushes and fill layers. After I finished texturing, I started to work on the rendering part. Just like the demon project, I imported the textures in my already existing sword project file inside Maya. Then I added some Arnold lights and shaders and after that, I set up a turn table camera and a platform setup for the shadows and made a...
Read more

The Sword - Detailing

Image
 After blocking everything inside of Maya, I brought back the model into ZBrush to subdivide and sculpt higher detail into the sword. Especially for the blade and the joint part where there was a lot more potential for detailed design. I started with the blade, I gave it the amount of scratches and shatters it had according to the concept image. And after I was happy with the blade, I started working on the handle, added a little more detail to the handle and the guard. And finally I detailed the joint part which needed a lot of subtle detail. I decided to not detail the chain any further because the chain was already good enough in the lowpoly version and the smooth preview from Maya was good enough for a render. And if needed, I could just subdivide it later to make it a bit smoother which although likely won't be needed. This is the final result after detailing everything. I am happy with the overall amount of detail so far and now am ready to begin the texturing process.
Read more